Her paintings are geometric and minimal, acrylic on canvas, built in precise layers of colour that shift gradually from one tone to the next. Every decision, each line, each edge, each carefully considered transition, comes from her architectural instinct for precision. But precision, in her work, is never an end in itself. It is the means by which emotion arrives. By which calmness settles. By which a painting can become, for the person standing in front of it, a moment of genuine stillness.

She is drawn to the moment when colour stops being colour and becomes light, when a gradient shifts so slowly that the eye cannot find where one tone ends and another begins. Rothko’s emotional weight, Josef Albers’ understanding of colour interaction, James Turrell’s use of light as material, Donald Judd’s precision: these are her references, her conversation partners. The result is painting that is quietly powerful, designed to bring stillness to the rooms it inhabits, and to reward the people who spend time in front of it.

Her geometric vocabulary has extended beyond painting. In collaboration with Silk Avenue, a London based bespoke rug house, her paintings have been translated into handmade rugs, bringing her visual language into the tactile and spatial world of interior design.

She works with interior designers, architects and private collectors on commissions, creating original pieces tailored to specific spaces, palettes and intentions. Her work is held in private collections across Europe and beyond.